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İzahMad-5223.jpg
English: "Māda" (Median) herald leading a delegation on the famous tribute bearers bas-relief decorating the southern panel of the eastern stairway of the Apadana, Darius the Great’s audience hall at Persepolis, one of the capital of the Achaemenian Persian Empire (515 BCE).
The southern panel hosts a set of 23 bas-reliefs describing the procession of tribute bearers of 23 nations subjected to the king of the kings. Each delegation is leaded by alternating Persian and Median heralds, and brings the king various gifts from everywhere in the empire. As many inscriptions let us know, by such pictorial representation, the king of kings claims his authority on all these provinces, the supremacy of the Persian and Median nations on the others, and acknowledge the great diversity of his giant empire.
Although still being a topic of controversy, most of the delegations are identified with the help of the analysis of the dressings, hairdressing, ethnophysical specificities seen on the various characters, or also using some comparison with lists of the subjected nations left on the Achaemenian royal inscriptions. In this case, there is no possible mistake as this character is a herald and not a tribute bearer, and as he wears a typical median felt hat with a tail on the back. If the persian were ruling the empire with their former median rulers, some parts of the median tribes were considered as subjected, probably for having made the wrong choice, opposing Cyrus the Great when the founder of the Achaemenian dynasty struggled against median king Astyages.
The execution of those reliefs obeys to strict rules set by the king himself, letting no artistic freedom to the carver. Although many of the artists working on Persepolis were not Persian themselves but coming from all across the empire (Egyptians, Greeks of minor Asia etc…), the style of the sculpture is typically Persian and undoubtly oriental, as testify the profile face & frontal chest posture. The marble sculptures were polished until obtaining a nearly completely erased grain, giving the Achaemenian Ronde-Bosse its particular quality. The use of polychromic pigments to colorize the reliefs in the fashion of those friezes seen in Suza, another Achaemenian capital remain yet an unanswered question. If Suza’s Apadana wall decoration was polychromic, if stigmatas of pigments were attested
فارسی: نقش‌برجستهٔ سرباز ماد در تخت جمشید
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Alborzagros
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Fayl Faylin tarixcesi Fayl kecidleri Faylin qlobal istifadesiSinaq gosterisi olcusu 465 599 piksel Diger olculer 186 240 piksel 372 480 piksel 596 768 piksel 794 1 024 piksel 1 589 2 048 piksel 2 736 3 526 piksel Faylin orijinali 8206 2 736 3 526 piksel fayl hecmi 1 3 MB MIME novu image jpeg Bu fayl Vikimedia Commons dadirve diger layihelerde istifade edile biler Faylin tesvir sehifesine get Xulase IzahMad 5223 jpg English Mada Median herald leading a delegation on the famous tribute bearers bas relief decorating the southern panel of the eastern stairway of the Apadana Darius the Great s audience hall at Persepolis one of the capital of the Achaemenian Persian Empire 515 BCE The southern panel hosts a set of 23 bas reliefs describing the procession of tribute bearers of 23 nations subjected to the king of the kings Each delegation is leaded by alternating Persian and Median heralds and brings the king various gifts from everywhere in the empire As many inscriptions let us know by such pictorial representation the king of kings claims his authority on all these provinces the supremacy of the Persian and Median nations on the others and acknowledge the great diversity of his giant empire Although still being a topic of controversy most of the delegations are identified with the help of the analysis of the dressings hairdressing ethnophysical specificities seen on the various characters or also using some comparison with lists of the subjected nations left on the Achaemenian royal inscriptions In this case there is no possible mistake as this character is a herald and not a tribute bearer and as he wears a typical median felt hat with a tail on the back If the persian were ruling the empire with their former median rulers some parts of the median tribes were considered as subjected probably for having made the wrong choice opposing Cyrus the Great when the founder of the Achaemenian dynasty struggled against median king Astyages The execution of those reliefs obeys to strict rules set by the king himself letting no artistic freedom to the carver Although many of the artists working on Persepolis were not Persian themselves but coming from all across the empire Egyptians Greeks of minor Asia etc the style of the sculpture is typically Persian and undoubtly oriental as testify the profile face amp frontal chest posture The marble sculptures were polished until obtaining a nearly completely erased grain giving the Achaemenian Ronde Bosse its particular quality The use of polychromic pigments to colorize the reliefs in the fashion of those friezes seen in Suza another Achaemenian capital remain yet an unanswered question If Suza s Apadana wall decoration was polychromic if stigmatas of pigments were attested فارسی نقش برجسته سرباز ماد در تخت جمشید Tarix 3 mart 2012 Menbe Oz isi Muellif Alborzagros nbsp This is a featured picture on the fars language Wikipedia نگاره های برگزیده and is considered one of the finest images If you think this file should be featured on Wikimedia Commons as well feel free to nominate it If you have an image of similar quality that can be published under a suitable copyright license be sure to upload it tag it and nominate it Lisenziya I the copyright holder of this work hereby publish it under the following license Bu fayl Creative Commons Attribution Share Alike 3 0 Sinqapur lisenziyasi altinda yayimlanir Azadsiniz paylasmaq eseri kocurmek paylamaq ve oturmek ucun remiks etmek eseri adaptasiya etmek Asagidaki sertlere riayet etmekle istinad Muvafiq kredit vermelisiniz lisenziyaya bir kecid vermelisiniz ve deyisikliklerin olub olmadigini bildirmelisiniz Bunu her hansi bir aglabatan sekilde ede bilersiniz ancaq lisenziyalasdiricinin sizi ve ya istifadenizi tesdiqlemesini teklif eden bir sekilde deyil benzer paylasma Eseri remix edirsinizse deyisdirirsinizse ve ya uzerinde is aparirsinizsa oz tohfelerinizi orijinalda oldugu kimi eyni ve ya uygun lisenziya altinda yayimlamalisiniz https creativecommons org licenses by sa 3 0 CC BY SA 3 0 Creative Commons Attribution Share Alike 3 0 true trueCaptionsazerbaycancaAdd a one line explanation of what this file representsItems portrayed in this filetesvir ediryaradiciSome value without a Vikiverilenler itemobyektin rolu fotoqrafmuellifin qisa adi AlborzagrosWikimedia username nbsp ingilis AlborzagrosURL nbsp ingilis http commons wikimedia org wiki User Alborzagroscopyright status nbsp ingiliscopyrighted nbsp ingilislisenziyaCreative Commons Attribution ShareAlike 3 0 Unported nbsp ingilisyaranma tarixi3 mart 2012source of file nbsp ingilisoriginal creation by uploader nbsp ingilisMIME type nbsp ingilisimage jpeg Faylin tarixcesi Faylin evvelki versiyasini gormek ucun gun tarix bolmesindeki tarixlere klikleyin Tarix VaxtKicik sekilOlculerIstifadeciSerh indiki13 16 3 mart 20122 736 3 526 1 3 MB Alborzagros Fayl kecidleri Bu sekile olan kecidler Midiya bolge Faylin qlobal istifadesi Bu fayl asagidaki vikilerde istifade olunur ba wikipedia org 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