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İzahChaos Monster and Sun God.png
English: Black and white crop of full engraving plate scan - from Plate 5 of the work "A second series of the monuments of Nineveh: including bas-reliefs from the Palace of Sennacherib and bronzes from the ruins of Nimroud ; from drawings made on the spot, during a second expedition to Assyria" (AH Layard)
The description given in the text of the work of the plate reads :
PLATE V
BAS-RELIEFS AT AN ENTRANCE TO A SMALL TEMPLE (NIMROUD)
Part of one side of the entrance near which stood the bas-relief of the King last described. The group is believed to represent the god to whom the temple was dedicated, driving out the evil spirit.† On the opposite side of the doorway the same figures were repeated. These bas-reliefs are now in the British Museum
[..]
† Ibid.. p.348
The plate description is on page 2 of the work.
The image in the book is by Faucher-Gudin , an drawing based on the excavated Bas-Relief. The Bas-Relief was in not as good condition.
Sources for the description an full plate include :
About thirty feet to the right, or north, of the lion gateway was a second entrance, at each side of which were two singular figures. One was that of a monster, whose head, of fanciful and hideous form, had long pointed ears and extended jaws, armed with huge teeth. Its body was covered with feathers, its fore-feet were those of a lion, its hind legs ended in the talons of an eagle, and it had spreading wings and the tail of a bird. Behind this strange image was a winged man, whose dress consisted of an upper garment with a skirt of skin or fur, an under robe fringed with tassels, and the sacred horned hat. A long sword was suspended from his shoulders by an embossed belt; sandals, armlets, and bracelets, completed his attire. He grasped in each hand an object in the form of a double trident, resembling the thunderbolt of the Greek Jove, which he was in the attitude of hurling against the monster, who turned furiously towards him.
This group appears to represent the bad spirit driven out by a good deity; a fit subject for the entrance to a temple, dedicated to the god of war. The singular combination of forms by which the Assyrian sculptor portrayed the evil principle, so prominent an element in the Chaldæan, and afterwards in the Magian, religions system, cannot fail to strike the reader.
There is also in the same work and illustration of the relief in situ in the temple (between p.350 and 351)
Interpretation
There are at least two interpretations of what the image is/was intended to represent.
Some sources interpret the image as [Bel-Merodach] Marduk (with thunderbolt) fighting Tiamat eg History of Egypt, Chaldea, Syria, Babylonia, and AssyriaVol. 3 (Maspero, G.; Sayce, A. H.) , https://archive.org/stream/egypt03maspuoft#page/n28/mode/1up
Some modern sources state this is probably Anzu and Ninurta. eg in Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary? (Jeremy A. Black and Anthony Green ISBN: 978-0-292-70794-8) p.142 states as text to same image : " Ninurta or Adad pursues a leonine bird-monster, perhaps the Anzû or Asakku. "
The original gypsum wall carving from which the drawing was taken is now (2018) displayed in Room 6 of the British Museum. Details of the object can be found here:
The actual object also has a cuneiform inscription across the (approx.) middle third, not reproduced in the drawing. The texts is thought to be a "boilerplate" text used throughout the palace/temple on several reliefs - for more details and translation of a presumed nearly identical text see Assyrian Rulers of the Early First Millennium BC, I (1114-859 BC) vol. 1, (Grayson, Albert Kirk,Toronto, University of Toronto Press, 1991) p.232 no.5 (entry A.0.101.5) which references entry A.0.101.3 ; there were also inscriptions on the backs of the slabs - see same publication reference A.0.101.31 (no.31, p.293) .. the inscriptions reference Ashurnasirpal [II] son of Tukulti-Ninurta [II] - which dates the objects to 883 to 859 BC. (see en:Ashurnasirpal II)
Note that the object was one of a pair on either side of the passage - [based on the drawing by Malan] the object's pair was left-right inverted so that the portrayals matched - a drawing of the object's pair by S.C. Malan partially in-situ at the excavation can be found in A Visiting Artist at Nineveh in 1850 (C. J. Gadd) in the journal "Iraq" vol.5, 1938 , DOI: 10.2307/4241628 , [1] , description p.120 no. 134, illus. plate XV
Tarix
Mənbə
'Monuments of Nineveh, Second Series' plate 5, London, J. Murray, 1853
Müəllif
editor Austen Henry Layard , drawing by L. Gruner
Lisenziya
Public domainPublic domainfalsefalse
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Captions
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Mesopotamian god (with thunderbolts) battles Gryphon ; often associated with battle of Marduk vs Tiamat - story from Enūma Eliš
Deus mesopotâmico luta contra grifo. Cena associada com a batalha de Marduk contra Tiamat
Dewa orang Mesopotamia (dengan petir) pertempuran Gryphon; biasanya diasosiasikan dengan pertempuran Marduk vs Tiamat - kisah dari Enuma Elish
Items portrayed in this file
təsvir edir
Marduk
Tiamat
yaranma tarixi
1853
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Fayl Faylin tarixcesi Fayl kecidleri Faylin qlobal istifadesi MetamelumatlarSinaq gosterisi olcusu 800 590 piksel Diger olculer 320 236 piksel 640 472 piksel 1 024 755 piksel 1 280 944 piksel 2 012 1 484 piksel Faylin orijinali 8206 2 012 1 484 piksel fayl hecmi 3 52 MB MIME novu image png Bu fayl Vikimedia Commons dadirve diger layihelerde istifade edile biler Faylin tesvir sehifesine get Xulase IzahChaos Monster and Sun God png English Black and white crop of full engraving plate scan from Plate 5 of the work A second series of the monuments of Nineveh including bas reliefs from the Palace of Sennacherib and bronzes from the ruins of Nimroud nbsp from drawings made on the spot during a second expedition to Assyria AH Layard The description given in the text of the work of the plate reads nbsp PLATE VBAS RELIEFS AT AN ENTRANCE TO A SMALL TEMPLE NIMROUD Part of one side of the entrance near which stood the bas relief of the King last described The group is believed to represent the god to whom the temple was dedicated driving out the evil spirit On the opposite side of the doorway the same figures were repeated These bas reliefs are now in the British Museum Ibid p 348 The plate description is on page 2 of the work The image in the book is by Faucher Gudin an drawing based on the excavated Bas Relief The Bas Relief was in not as good condition Sources for the description an full plate include nbsp http digi ub uni heidelberg de diglit layard1853 0010 image http www etana org sites default files coretexts 17171 pdf no text The reference in the text to Ibid p 348 is to Discoveries in the ruins of Nineveh and Babylon Layard 1853 which can be seen here https archive org stream discoveriesinru00layagoog page n398 mode 2upquote p 348 349 About thirty feet to the right or north of the lion gateway was a second entrance at each side of which were two singular figures One was that of a monster whose head of fanciful and hideous form had long pointed ears and extended jaws armed with huge teeth Its body was covered with feathers its fore feet were those of a lion its hind legs ended in the talons of an eagle and it had spreading wings and the tail of a bird Behind this strange image was a winged man whose dress consisted of an upper garment with a skirt of skin or fur an under robe fringed with tassels and the sacred horned hat A long sword was suspended from his shoulders by an embossed belt sandals armlets and bracelets completed his attire He grasped in each hand an object in the form of a double trident resembling the thunderbolt of the Greek Jove which he was in the attitude of hurling against the monster who turned furiously towards him This group appears to represent the bad spirit driven out by a good deity a fit subject for the entrance to a temple dedicated to the god of war The singular combination of forms by which the Assyrian sculptor portrayed the evil principle so prominent an element in the Chaldaean and afterwards in the Magian religions system cannot fail to strike the reader There is also in the same work and illustration of the relief in situ in the temple between p 350 and 351 Interpretation There are at least two interpretations of what the image is was intended to represent Some sources interpret the image as Bel Merodach Marduk with thunderbolt fighting Tiamat eg History of Egypt Chaldea Syria Babylonia and Assyria Vol 3 Maspero G Sayce A H https archive org stream egypt03maspuoft page n28 mode 1up Some modern sources state this is probably Anzu and Ninurta eg in Gods Demons and Symbols of Ancient Mesopotamia An Illustrated Dictionary Jeremy A Black and Anthony Green ISBN 978 0 292 70794 8 p 142 states as text to same image nbsp Ninurta or Adad pursues a leonine bird monster perhaps the Anzu or Asakku A discussion of the development of the interpretation of this image can be found here http oracc museum upenn edu nimrud livesofobjects anzu index html archived link Original Source The original gypsum wall carving from which the drawing was taken is now 2018 displayed in Room 6 of the British Museum Details of the object can be found here British Museum reference BM 124571 http www britishmuseum org research collection online collection object details aspx objectId 367087 amp partId 1 amp searchText relief amp people 117843 amp page 1 http www britishmuseum org research collection online collection object details aspx objectId 367087 amp partId 1 amp searchText relief amp people 117843 amp page 2 The actual object also has a cuneiform inscription across the approx middle third not reproduced in the drawing The texts is thought to be a boilerplate text used throughout the palace temple on several reliefs for more details and translation of a presumed nearly identical text see Assyrian Rulers of the Early First Millennium BC I 1114 859 BC vol 1 Grayson Albert Kirk Toronto University of Toronto Press 1991 p 232 no 5 entry A 0 101 5 which references entry A 0 101 3 nbsp there were also inscriptions on the backs of the slabs see same publication reference A 0 101 31 no 31 p 293 the inscriptions reference Ashurnasirpal II son of Tukulti Ninurta II which dates the objects to 883 to 859 BC see en Ashurnasirpal II Note that the object was one of a pair on either side of the passage based on the drawing by Malan the object s pair was left right inverted so that the portrayals matched a drawing of the object s pair by S C Malan partially in situ at the excavation can be found in A Visiting Artist at Nineveh in 1850 C J Gadd in the journal Iraq vol 5 1938 DOI 10 2307 4241628 1 description p 120 no 134 illus plate XV Tarix 1853 Menbe Monuments of Nineveh Second Series plate 5 London J Murray 1853 Muellif editor Austen Henry Layard drawing by L Gruner Lisenziya Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author s life plus 100 years or fewer This work is in the public domain in the United States because it was published or registered with the U S Copyright Office before January 1 1928 This file has been identified as being free of known restrictions under copyright law including all related and neighboring rights https creativecommons org publicdomain mark 1 0 PDM Creative Commons Public Domain Mark 1 0 false falseCaptionsazerbaycancaAdd a one line explanation of what this file representsingilisMesopotamian god with thunderbolts battles Gryphon often associated with battle of Marduk vs Tiamat story from Enuma ElisportuqalDeus mesopotamico luta contra grifo Cena associada com a batalha de Marduk contra TiamatindoneziyaDewa orang Mesopotamia dengan petir pertempuran Gryphon biasanya diasosiasikan dengan pertempuran Marduk vs Tiamat kisah dari Enuma ElishItems portrayed in this filetesvir edirMardukTiamatyaranma tarixi1853 Faylin tarixcesi Faylin evvelki versiyasini gormek ucun gun tarix bolmesindeki tarixlere klikleyin Tarix VaxtKicik sekilOlculerIstifadeciSerh indiki14 45 21 may 20162 012 1 484 3 52 MB Vles1I increased the contrast of the picture 04 45 30 yanvar 20122 012 1 484 5 24 MB Georgelazenby Fayl kecidleri Bu sekile olan kecidler Anu Utu Ikibasli qartal Faylin qlobal istifadesi Bu fayl asagidaki vikilerde istifade olunur af wikipedia org layihesinde istifadesi Sjamasj Adad Nanna Sjabloon Mesopotamiese mitologie Isjtar Anoe Enki Enlil Assur god Tiamat Abzu Gilgamesj Ninlil Enkidu Ninhursag Baal Oetoe Baalsamin Enoema Elisj ar wikipedia org layihesinde istifadesi الفرات بغداد أكدية لغة الدولة الزنكية الدولة السلجوقية الدولة الحمدانية الدولة البويهية دجلة شريعة حمورابي حدائق بابل المعلقة أور أدد عشتار آشور آشور مدينة آشور إله تاريخ العراق بلاد بابل بابل حمورابي سومر خابور الفرات إيوان المدائن إيسن عيران عيلام تاريخ سوريا آراميون عدي بن زيد العبادي أهوار العراق الزاب الصغير Bu faylin qlobal istifadesine baxin Metamelumatlar Bu faylda fotoaparat ve ya skanerle elave olunmus melumatlar var Eger fayl sonradan 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