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MICHELANGELO Buonarroti
(b. 1475, Caprese, d. 1564, Roma)
The Deluge 1508-09 Fresco, 280 x 570 cm Cappella Sistina, Vatican
The eighth scene in the chronological order of the narrative, The Deluge, is depicted in the large field of the vault of the second bay, between the triangular spandrels.
In the doctrine of the typological relationship between the Old and New Testaments, the Deluge was considered to prefigure baptism, while the Ark was the symbol for the Church itself. The lustral water of the baptism removes the original sin, while that of the flood cleansed the world of sinners. Noah was saved from the water by the wood of the Ark, just as the wood of the Cross offers salvation to those who are in the Church. Three different patterns of behaviour may be distinguished in human beings: while the righteous take refuge in the Ark (the Church) and find salvation therein, the damned attempt to assail it, and others are lost due to their excessive attachment to worldly things, and seek safety carrying their possessions with them.
In fact, in the foreground of the fresco, the latter seek to flee from the threat of the rising waters by crowding onto the rocky islet on the right or by wearily climbing up to the high ground on the left. In the distance, the wicked, having reached the platform surrounding the Ark, hurl themselves against the vessel from which they have been excluded. Lastly, those who have reached a boat that is about to capsize, between the Ark and the hill in the foreground, are also engaged in a fierce struggle. The scenes of violence are countered by the behaviour of those who do not seek their salvation at the expense of others, but display compassion and a profound sense of solidarity toward the weakest individuals who have been overwhelmed by the same calamity.
The large field, with the Deluge, is divided into several sections with some wonderful details, but these are not properly integrated. Their lack of coherence is partly justified in view of the elemental catastrophe but it offends the aesthetic sense, not to mention the fact that this Deluge seems to be a dry affair. One has to compensate by looking at the groups of figures reminiscent of antiquity yet full of new experiments and of movement; of naked human beings toiling, carrying or being borne away and resigned to their inevitable fates.
The destructive forces of nature and the elements are hardly indicated. This lack, noticeable in many of Michelangelo's drawings is a logical one. He sees all passion and torment, all toil and victory in human terms; for him it is not the event itself which is decisive but its effect on those who experience it, expressed in movement and gestures. In their distress men may commit wrongs near the capsizing boat and round the ark, but the scenes of mutual assistance and mercy preponderate, and it is precisely this which raises the perplexing question: why should all these people perish? It is a great composition but one which still shows the influence of Signorelli and other painters; too involved, full of unsolved problems and over-crowded with detail. The unifying synthesis is yet to come.
--- Keywords: --------------
Author: MICHELANGELO Buonarroti Title: The Deluge Time-line: 1501-1550 School: Italian Form: painting
Type: religious
Mart 05, 2023
fayl, deluge, after, restoration, fayl, faylın, tarixçəsi, fayl, keçidləri, faylın, qlobal, istifadəsi, metaməlumatlarsınaq, göstərişi, ölçüsü, piksel, digər, ölçülər, piksel, piksel, piksel, faylın, orijinalı, 8206, piksel, fayl, həcmi, mime, növü, image, jpe. Fayl Faylin tarixcesi Fayl kecidleri Faylin qlobal istifadesi MetamelumatlarSinaq gosterisi olcusu 800 399 piksel Diger olculer 320 160 piksel 640 319 piksel 1 034 516 piksel Faylin orijinali 8206 1 034 516 piksel fayl hecmi 128 KB MIME novu image jpeg Bu fayl Vikimedia Commons dadirve diger layihelerde istifade edile biler Faylin tesvir sehifesine get Mikelancelo The Deluge nbsp nbsp Artist Mikelancelo nbsp 1475 1564 nbsp nbsp nbsp nbsp nbsp Alternativ adlar Michelangelo di Lodovico Buonarroti Simoni Izah Italian painter sculptor architect poet ve inventor Dogum olum tarixi 6 mart 1475 nbsp 18 fevral 1564 nbsp Dogum olum yeri Kapreze MikelanceloRoma Yaradiciliq illeri 1487 1564 date QS P 1500 00 00T00 00 00Z 6 P580 1487 00 00T00 00 00Z 9 P582 1564 00 00T00 00 00Z 9 Yaradiciliq mekani Florensiya 1487 1494 Boloniya 1494 1496 Roma 1496 1501 Florensiya 1501 1505 Roma 1505 1506 Florensiya 1506 1508 Roma 1508 1516 Florensiya 1516 sentyabr 1529 Venesiya sentyabr 1529 noyabr 1529 Florensiya noyabr 1529 1532 Roma 1532 1533 Florensiya 1533 Roma noyabr 1533 Florensiya 1533 avqust 1534 Roma 1534 1564 Normativ yoxlama Q5592 VIAF 24585191 ISNI 0000 0001 2124 3640 ULAN 500010654 Open Library OL117828A DBNL mich095 WorldCat artist QS P170 Q5592 Basliq English The Deluge Hissesidir Sikstin kapellasinin tavani nbsp Object type fresco resm eseri nbsp Janr dini incesenet nbsp Izah Genesis flood narrative nbsp Tarix 1508 1509 date QS P571 1508 00 00T00 00 00Z 8 P1319 1508 00 00T00 00 00Z 9 P1326 1509 00 00T00 00 00Z 9 Orta frescomedium QS P186 Q25631150 Olculer Hundurluk 280 sm eni 570 smdimensions QS P2048 280U174728 dimensions QS P2049 570U174728 Collection Sikstin kapellasi nbsp nbsp Native name Cappella Sistina Parent institution Apostol Sarayi nbsp Location Vatican Roma Italy Monde Coordinates 41 nbsp 54 nbsp 11 nbsp N 12 nbsp 27 nbsp 16 nbsp E nbsp Established 1473 1481 date QS P 1450 00 00T00 00 00Z 7 P1319 1473 00 00T00 00 00Z 9 P1326 1481 00 00T00 00 00Z 9 Veb sehife mv vatican va Normativ yoxlama Q2943 VIAF 141197464 ISNI 0000 0001 1456 8682 LCCN n96096549 GND 4104970 6 BNF 139022841 WorldCat institution QS P195 Q2943 Istinadlar https www wga hu html m michelan 3sistina 1genesis 2flood 02 3ce2 html nbsp https www wga hu html m m michelan 3sistina 1genesis 2flood 02 3ce2 html ingilis dili Source Photographer Web Gallery of Art nbsp Goruntu nbsp Info about artworkreference wga QS P973 http www wga hu html m michelan 3sistina 1genesis 2flood 02 3ce2 html Icaze Faylin tekrar istifadesi Bu sekil tesviri incesenet eserinin orijinal ikiolculu deqiq fotoqrafiya reproduksiyasidir Tesviri incesenetin bu eseri oz ozluyunde asagidaki sebeblerden ictimai varidat sayilir Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author s life plus 100 years or fewer You must also include a United States public domain tag to indicate why this work is in the public domain in the United States This file has been identified as being free of known restrictions under copyright law including all related and neighboring rights https creativecommons org publicdomain mark 1 0 PDM Creative Commons Public Domain Mark 1 0 false false Vikimedia Fondu tutdugu resmi movqe ondan ibaretdir ki ictimai varidat olan tesviri incesenet eserlerinin ikiolculu deqiq reproduksiyalari da ictimai varidat sayilir Etrafli melumat almaq ucun Commons When to use the PD Art tag meqalesine baxin Belelikle bu fotoqrafiya reproduksiyasi ictimai varidat hesab edilir Xahis edirik nezere alin ki yerli qanunvericilikden asili olaraq bu mezmunun tekrar istifadesi qadagandir ve ya sizin yurisdiksiyanizda bu mezmun mehdudlasdirilmis ola biler Commons Reuse of PD Art photographs meqalesine baxin Diger versiyalar sekil nbsp hissesidir Sikstin kapellasinin tavani nbsp CaptionsazerbaycancaAdd a one line explanation of what this file representsItems portrayed in this filetesvir edirThe Deluge nbsp ingilisdigital representation of nbsp ingilisThe Deluge nbsp ingilisesas movzuThe Deluge nbsp ingilis Faylin tarixcesi Faylin evvelki versiyasini gormek ucun gun tarix bolmesindeki tarixlere klikleyin Tarix VaxtKicik sekilOlculerIstifadeciSerh indiki17 05 27 yanvar 20061 034 516 128 KB MichalZimMichelangelo The Deluge very good photo source http www wga hu tours sistina index3 html Fayl kecidleri Bu sekile olan kecidler Sikstin kapellasi Faylin qlobal istifadesi Bu fayl asagidaki vikilerde istifade olunur ba wikipedia org layihesinde istifadesi Nuh Noj be wikipedia org layihesinde istifadesi Susvetny patop bg wikipedia org layihesinde istifadesi Mikelandzhelo Buonaroti ca wikipedia org layihesinde istifadesi Volta de la Capella Sixtina co wikipedia org layihesinde istifadesi Arca di Noe cs wikipedia org layihesinde istifadesi Potopa sveta el wikipedia org layihesinde istifadesi Katalogos ergwn toy Mixahl Aggeloy eo wikipedia org layihesinde istifadesi Arkeo de Noa eu wikipedia org layihesinde istifadesi Kapera Sistinoa fa wikipedia org layihesinde istifadesi نوح میکل آنژ fr wikipedia org layihesinde istifadesi Arche de Noe Deluge Les Saisons James Thomson Renaissance romaine he wikipedia org layihesinde istifadesi תקרת הקפלה הסיסטינית hu wikipedia org layihesinde istifadesi A Sixtus kapolna mennyezetfreskoja hy wikipedia org layihesinde istifadesi Սիքստինյան կապելլայի որմնանկարների ցանկ id wikipedia org layihesinde istifadesi Lukisan Michaelangelo it wikipedia org layihesinde istifadesi Dodici tribu di Israele Semiti Portale Ebraismo Jafet Noe Diaspora ebraica Sem Bibbia Cam Bibbia Arca di Noe Madai Dieci tribu perdute d Israele Arpacsad Sela Bibbia Eber Peleg Camiti Diluvio universale Storia degli ebrei Meshech Storie della Genesi Template Figli di Noe Lud Bibbia Rinascimento romano Diluvio universale Michelangelo Lekh lekha Cush Bibbia Tubal Figli di Noe Mizraim Gomer Bibbia Magog Bibbia Bu faylin qlobal istifadesine baxin Metamelumatlar Bu faylda fotoaparat ve ya skanerle elave olunmus melumatlar var Eger fayl sonradan redakte olunubsa bezi parametrler bu sekilde gosterilenlerden ferqli ola biler JPEG sekil serhiMICHELANGELO Buonarroti b 1475 Caprese d 1564 Roma The Deluge 1508 09 Fresco 280 x 570 cm Cappella Sistina VaticanThe eighth scene in the chronological order of the narrative The Deluge is depicted in the large field of the vault of the second bay between the triangular spandrels In the doctrine of the typological relationship between the Old and New Testaments the Deluge was considered to prefigure baptism while the Ark was the symbol for the Church itself The lustral water of the baptism removes the original sin while that of the flood cleansed the world of sinners Noah was saved from the water by the wood of the Ark just as the wood of the Cross offers salvation to those who are in the Church Three different patterns of behaviour may be distinguished in human beings while the righteous take refuge in the Ark the Church and find salvation therein the damned attempt to assail it and others are lost due to their excessive attachment to worldly things and seek safety carrying their possessions with them In fact in the foreground of the fresco the latter seek to flee from the threat of the rising waters by crowding onto the rocky islet on the right or by wearily climbing up to the high ground on the left In the distance the wicked having reached the platform surrounding the Ark hurl themselves against the vessel from which they have been excluded Lastly those who have reached a boat that is about to capsize between the Ark and the hill in the foreground are also engaged in a fierce struggle The scenes of violence are countered by the behaviour of those who do not seek their salvation at the expense of others but display compassion and a profound sense of solidarity toward the weakest individuals who have been overwhelmed by the same calamity The large field with the Deluge is divided into several sections with some wonderful details but these are not properly integrated Their lack of coherence is partly justified in view of the elemental catastrophe but it offends the aesthetic sense not to mention the fact that this Deluge seems to be a dry affair One has to compensate by looking at the groups of figures reminiscent of antiquity yet full of new experiments and of movement of naked human beings toiling carrying or being borne away and resigned to their inevitable fates The destructive forces of nature and the elements are hardly indicated This lack noticeable in many of Michelangelo s drawings is a logical one He sees all passion and torment all toil and victory in human terms for him it is not the event itself which is decisive but its effect on those who experience it expressed in movement and gestures In their distress men may commit wrongs near the capsizing boat and round the ark but the scenes of mutual assistance and mercy preponderate and it is precisely this which raises the perplexing question why should all these people perish It is a great composition but one which still shows the influence of Signorelli and other painters too involved full of unsolved problems and over crowded with detail The unifying synthesis is yet to come Keywords Author MICHELANGELO Buonarroti Title The Deluge Time line 1501 1550 School Italian Form painting Type religious Menbe https az wikipedia org wiki Fayl The Deluge after restoration jpg, wikipedia, oxu, kitab, kitabxana, axtar, tap, hersey,
ne axtarsan burda
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