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English: “The fainting of Laylah and Majnun” This folio depicts a well-known passage from the tragic story of Layla and Majnun described in the third book of Nizami's "Khamsah" (Quintet). Forcibly separated by their respective tribes' animosity, forced marriage, and years of exile into the wilderness, these two ill-fated lovers meet again for the last time before their deaths thanks to the intervention of Majnun's elderly messenger. Upon seeing each other in a palm-grove immediately outside of Laylah's camp, they faint of extreme passion and pain. The old man attempts to revive the lovers, while the wild animals protective of Majnun ("The King of Wilderness") attack unwanted intruders. The location and time of the narrative is hinted at by the two tents dressed in the middleground and the dark nighttime sky in the background. The composition's style and hues are typical of paintings made in the city of Shiraz during the second half of the 16th century. Many manuscripts at this time were produced for the domestic market and international export, rather than by royal commission. This particular painting appears to have been executed at the same time as the text of the "Khamsah" proper, which survives on the painting's verso. Script: nasta'liq Dimensions of Painting: Recto: 12.2 (w) x 16.7 (h) cm Dimensions of Written Surface: 12.2 (w) x 20.9 (h) cm
Français : « L'évanouissement de Laylah et Majnun » Page enluminée montrant une scène célèbre de Majnoun et Leila, issue du troisième livre de Khamsah (« Quintette »), du poète persan Nizami. Séparés par la rivalité entre leurs deux familles, un mariage forcé, et des années d'exil dans la nature, se rencontrent une derniere fois avant leur mort, grâce à l'action du vieux messager de Majnoun. À la vue l'un de l'autre dans la palmeraie la nuit, ils s'evanouissent de passion et de tristesse. Le vieil homme tente de les réveiller, tandis que vles animaux sauvages protègent Mahjoun (« Roi de la nature ») contre les intrus. Le temps et le lieu sont indiqués par les deux tentes au second plan et le ciel étoilé en arrière plan. Le style et les couleurs utilisées sont typiques du style développé à Chiraz durant la seconde moitié du XVIe siècle. Beaucoup de manuscrits on été crées a l'époque pour le marché local et l'export. Dimensions de l'enluminure: 12,2 x 16,7 cm Dimensions de la page (hors marges): 12,2 x 20,9 cm
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Layla_and_Majnun2.jpg
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Layla_and_Majnun2.jpg: NaməlumUnknown author
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2009-01-20T05:57:47Z Durova 1617x2616 (3821631 Bytes) {{Information |Description="The fainting of Laylah and Majnun" This folio depicts a well-known passage from the tragic story of Laylah and Majnun described in the third book of Nizami's "Khamsah" (Quintet). Forcibly separate
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{{Information |Description={{en|'''“The fainting of Laylah and Majnun”'''<br> This folio depicts a well-known passage from the tragic story of Layla and Majnun described in the third book of Nizami's "Khamsah" (Quintet). Forci
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Fayl Faylin tarixcesi Istifade edilen sehifeler Faylin qlobal istifadesi MetamelumatlarSinaq gosterisi olcusu 370 599 piksel Diger olculer 148 240 piksel 297 480 piksel 475 768 piksel 633 1 024 piksel 1 617 2 616 piksel Faylin orijinali 8206 1 617 2 616 piksel fayl hecmi 3 51 MB MIME novu image jpeg Bu fayl Vikimedia Commons dadirve diger layihelerde istifade edile biler Faylin tesvir sehifesine get IzahLayla and Majnun2 without color profile jpg English The fainting of Laylah and Majnun This folio depicts a well known passage from the tragic story of Layla and Majnun described in the third book of Nizami s Khamsah Quintet Forcibly separated by their respective tribes animosity forced marriage and years of exile into the wilderness these two ill fated lovers meet again for the last time before their deaths thanks to the intervention of Majnun s elderly messenger Upon seeing each other in a palm grove immediately outside of Laylah s camp they faint of extreme passion and pain The old man attempts to revive the lovers while the wild animals protective of Majnun The King of Wilderness attack unwanted intruders The location and time of the narrative is hinted at by the two tents dressed in the middleground and the dark nighttime sky in the background The composition s style and hues are typical of paintings made in the city of Shiraz during the second half of the 16th century Many manuscripts at this time were produced for the domestic market and international export rather than by royal commission This particular painting appears to have been executed at the same time as the text of the Khamsah proper which survives on the painting s verso Script nasta liq Dimensions of Painting Recto 12 2 w x 16 7 h cm Dimensions of Written Surface 12 2 w x 20 9 h cm Francais L evanouissement de Laylah et Majnun Page enluminee montrant une scene celebre de Majnoun et Leila issue du troisieme livre de Khamsah Quintette du poete persan Nizami Separes par la rivalite entre leurs deux familles un mariage force et des annees d exil dans la nature se rencontrent une derniere fois avant leur mort grace a l action du vieux messager de Majnoun A la vue l un de l autre dans la palmeraie la nuit ils s evanouissent de passion et de tristesse Le vieil homme tente de les reveiller tandis que vles animaux sauvages protegent Mahjoun Roi de la nature contre les intrus Le temps et le lieu sont indiques par les deux tentes au second plan et le ciel etoile en arriere plan Le style et les couleurs utilisees sont typiques du style developpe a Chiraz durant la seconde moitie du XVIe siecle Beaucoup de manuscrits on ete crees a l epoque pour le marche local et l export Dimensions de l enluminure 12 2 x 16 7 cm Dimensions de la page hors marges 12 2 x 20 9 cmTarix 29 mart 2010 10 26 UTC Menbe Layla and Majnun2 jpgMuellif Layla and Majnun2 jpg NamelumUnknown author Bu tesvirin redaktesi orijinala esaslanaraq reqemsal qaydadadir Deyisiklik Removed embedded color profile that is not supported by firefox Ilkin tesvir buradadir Layla and Majnun2 jpg Bu sekil tesviri incesenet eserinin orijinal ikiolculu deqiq fotoqrafiya reproduksiyasidir Tesviri incesenetin bu eseri oz ozluyunde asagidaki sebeblerden ictimai varidat sayilir Public domain Public domain false falseThis work is in the public domain in its country of origin and other countries and areas where the copyright term is the author s life plus 70 years or fewer You must also include a United States public domain tag to indicate why this work is in the public domain in the United States Note that a few countries have copyright terms longer than 70 years Mexico has 100 years Jamaica has 95 years Colombia has 80 years and Guatemala and Samoa have 75 years This image may not be in the public domain in these countries which moreover do not implement the rule of the shorter term Cote d Ivoire has a general copyright term of 99 years and Honduras has 75 years but they do implement the rule of the shorter term Copyright may extend on works created by French who died for France in World War II more information Russians who served in the Eastern Front of World War II known as the Great Patriotic War in Russia and posthumously rehabilitated victims of Soviet repressions more information This file has been identified as being free of known restrictions under copyright law including all related and neighboring rights https creativecommons org publicdomain mark 1 0 PDM Creative Commons Public Domain Mark 1 0 false false Vikimedia Fondu tutdugu resmi movqe ondan ibaretdir ki ictimai varidat olan tesviri incesenet eserlerinin ikiolculu deqiq reproduksiyalari da ictimai varidat sayilir Etrafli melumat almaq ucun Commons When to use the PD Art tag meqalesine baxin Belelikle bu fotoqrafiya reproduksiyasi ictimai varidat hesab edilir Xahis edirik nezere alin ki yerli qanunvericilikden asili olaraq bu mezmunun tekrar istifadesi qadagandir ve ya sizin yurisdiksiyanizda bu mezmun mehdudlasdirilmis ola biler Commons Reuse of PD Art photographs meqalesine baxin PD Art template without license parameter please specify why the underlying work is public domain in both the source country and the United States Usage PD Art 1 deathyear year of author s death country source country where parameter 1 can be PD old auto PD old auto expired PD old auto 1996 PD old 100 or similar See Commons Multi license copyright tags for more information Orijinal yukleme gundeliyi This image is a derivative work of the following images File Layla and Majnun2 jpg licensed with PD Art PD old 2009 01 20T05 57 47Z Durova 1617x2616 3821631 Bytes Information Description The fainting of Laylah and Majnun This folio depicts a well known passage from the tragic story of Laylah and Majnun described in the third book of Nizami s Khamsah Quintet Forcibly separateUploaded with derivativeFXCaptionsazerbaycancaAdd a one line explanation of what this file representsItems portrayed in this filetesvir ediryaranma tarixi29 mart 2010 Faylin tarixcesi Faylin evvelki versiyasini gormek ucun gun tarix bolmesindeki tarixlere klikleyin Tarix VaxtKicik sekilOlculerIstifadeciSerh indiki10 27 29 mart 20101 617 2 616 3 51 MB Esby Information Description en 039 039 039 The fainting of Laylah and Majnun 039 039 039 lt br gt This folio depicts a well known passage from the tragic story of Layla and Majnun described in the third book of Nizami 039 s Khamsah Quintet Forci Istifade edilen sehifeler Bu sekile olan kecidler Leyli ve Mecnun Nizami Nizami Gencevi Faylin qlobal istifadesi Bu fayl asagidaki vikilerde istifade olunur en wikipedia org layihesinde istifadesi User Milicaamladenovic2001 sandbox fa wikipedia org layihesinde istifadesi الگو نر محافظت شده 2012 12 07 kk wikipedia org layihesinde istifadesi Қazak auyz әdebieti men arab әdebieti bajlanysy sr wikipedia org layihesinde istifadesi Korisnik Milicaamladenovic2001 pesak2 uz wikipedia org layihesinde istifadesi Nizomiy GanjaviyMetamelumatlar Bu faylda fotoaparat ve ya skanerle elave olunmus melumatlar var Eger fayl sonradan redakte olunubsa bezi parametrler bu sekilde gosterilenlerden ferqli ola biler error0 Menbe https az wikipedia org wiki Fayl Layla and Majnun2 without color profile jpg, wikipedia, oxu, kitab, kitabxana, axtar, tap, hersey,
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